F. P. Dorchak

Speculative Fiction (New Weird) Author

KDP

Going Indie—What I’ve Learned (So Far)—Part 3

by

The Indie learning curve continues!

While I don’t feel as harried as I did the past couple weeks, though there are still things to do and learn and do better next time. And I still have to promote…more. I’m looking forward to it all!

Okay, so, here’s some more learnin’:

  1. Update on the B&N account thing: check your frigging JUNK MAIL. And if you use Outlook, check the frigging JUNK MAIL in your host e-mail account funneling into Outlook.  Sheesh. Yeah, I kept checking the Outlook account, but not the host account. It sat there for almost a week. When had it been approved? The 15th. Same day I requested it. <insert “funny words” here> I went in and updated everything…and it still has to get approval, but this time it says (once book content is uploaded) it could take up to 72 hours. So, hopefully, by Friday, The Uninvited will be available through Nook for $3.99 (still free one more week at Smashwords). Man, lots of “Uninvited” books.
  2. Nook’s cover file:  they limit the image to a maximum of 2 MB. Thanks, Cover Girl, Karen, for getting me that so quickly. :-]
  3. Update on updating the KDP version of Uninvited: yes, that is how it looks when updating—it looks exactly like you’re starting over, but the already uploaded version remains available, and the changes go through smoothly and there’s no reason to have to change your shorts.
  4. Found a great post interview on Susan Brooks’ blog, with Smashwords Marketing Manager, Jim Azevedo (thanks, RMFW loop and Susan for posting this!).
  5. This was kinda cool: Amazon has author pages in other countries (duh), and asks if you’d like to input some author info there. The countries offered were France, Germany, and the UK. This is my US author page. Now, My German ist sehr rusty, et moi Français even more so, which is how international incidents start (my French is non-existent, except for words and phrases like fromage and voulez-vous coucher avec moi ce soir? And no, I’m not asking the latter. See, that how’s international incidents start…), so I like to use an online translator, like Babylon 10, for extended foreign text beyond memory and my French and German dictionaries. So, well, I didn’t read all the Amazon Terms of Use in French and German (though I did glance at and recognize some words, but that and a quarter’ll get me slapped), so I hope I’m not getting screwed in these countries and the Terms are the same as the US version. Man, even the UK’s version was hard to read. Anyway, I took my main author page, plugged it into Babylon 10, and voila! Insérez la traduction ici! Don’t know about all the dashes in the German one, if I get time, will look into it, but the German one looks, you know, kinda right (dashes notwithstanding). So, if anyone’s fluent in Deutsch und Französische Sprachen, I’ve presented the three versions below.

Thanks, again, for stopping by!

English:

F. P. (Frank) Dorchak grew up in New York State’s Adirondack mountains. He attended Northern Arizona University, in Flagstaff, Arizona, then entered the U.S. Air Force. He performed Combat Crew duties in missile warning and satellite operations, at Cavalier AFS, North Dakota, and was a GPS mission controller and Crew Commander, at Schriever AFB, CO, but has always had a deep interest in the paranormal. Frank writes gritty, realistic paranormal fiction that delves into the supernatural, the unexplained, and the metaphysical.

French:

F.P. (Frank) Dorchak a grandi en montagnes d’Adirondack de l’état de New-York. Il s’est occupé de l’université du nord de l’Arizona, dans la hampe de drapeaux, l’Arizona, puis a présenté l’Armée de l’Air des États-Unis. Il a rempli des fonctions d’équipage de combat dans des opérations d’avertissement et de satellite de missile, au cavalier AFS, le Dakota du Nord, et était un contrôleur de mission de GPS et le commandant d’équipage, chez Schriever AFB, Cie, mais a toujours eu un intérêt profond dans le paranormal. Frank écrit la fiction paranormale graveleuse et réaliste qui fouille dans le surnaturel, l’inexpliqué, et le métaphysique.

German:

F.P. (Frank) Dorchak wuchs in der Adirondack-Bergen des Staat New York heran. Er besuchte Nord-Arizona-Universität, im Fahnenmast, Arizona, dann meldete die US-Luftwaffe an. Er führte Kampf-Mannschaftsaufgaben in den Flugwarnungs- und -satellitenoperationen, am Kavalier AFS, North Dakota durch und war- ein GPS-Auftragkontrolleur und Mannschafts-Kommandant, bei Schriever AFB, Co, aber hat immer ein tiefes Interesse an dem paranormalen gehabt. Frank schreibt kiesige, realistische paranormale Erfindung, die in das übernatürliche forscht, das unerklärte und das metaphysische.

Related articles

Going Indie—What I’ve Learned (So Far)—Part 2

by

A still from a recent example of light writing
eBookin’: Movin’ at the Speed of Light! (Photo credit: example of light writing; Wikipedia)

I’d like to buy a vowel? Heck, I’d like to buy an hour, Chuck—maybe three?

The Uninvited is now available on Amazon, through the Kindle Select Program, for $3.99.

It’s still available at Smashwords for FREE, so get it while you can—and please, write up and post some reviews! The Uninvited has also gone into the Smashwords Premium Catalog, which gets distributed to major retailers, such as Apple, B&N, Sony, et cet. While I applied for a B&N Nook account, they apparently have to check/approve something, so that hasn’t yet gone through.

Okay, I meant to include much more in my previous post, but the Internet had gone down that day for a spell, and I’d lost my list of things I wanted to include in that post. I’d since found them, since found more things to list, so…I continue:

  1. Don’t have the Internet go out on you when trying to work.
  2. Don’t lose your notes for your blog post.
  3. Tax ID #. From all I’ve gathered, you don’t need one unless you’re creating a COMPANY entity, beyond just using your author name. Now, yes, you can just go and get one, using IRS form SS-4. I know of one person who did this, but you don’t need to, because your SSN is what’s used (and is on your tax form, if you claim your writing as a business). Yes…you can get paranoid about it…but what I’ve read, my experience…is that the IT (info technology) departments at these companies—for all their faults—do take security très seriously and, well, your information is out there in many forms, and the reality of today’s world is that it’s damned hard to keep all your personal info off the Internet. There’s so much out there we don’t really even realize…and the IT departments do their best at keeping it secure. Sigh. There are courses and books written about this stuff.
  4. Create Google Alerts (yeah, actually learned this years ago, but I re-learned it and actually, finally, created some). Go out and create some. Copy sections of text from your works, stick em in there, and if they come up anywhere, the alert with, uh, alert you, and you take it from there, if it’s legit, plagiarism, or a blog post/review. Rock on.
  5. Though Smashwords has lots of great stuff to offer, what I hear from many in the Indie world and am learning myself is to separately upload the epub file to B&N’s Nook (PubIt is going to be phased out over the coming months), and Amazon’s KDP, versus Smashwords. The big advantage is that Smashwords pays royalties quarterly, while the other two do so every 60 days, and they offer other things, like affiliate programs and such I’m still learning about and don’t know enough about posting about, right now. More on these later (I hope).
  6. If going to B&N’s Nook separately, and don’t yet have an account, create one now (read all the fine print), cause they”confirm” your account and get back to you. It isn’t immediate. My formatter, Pam, told me about this weeks ago, but I simply didn’t have the time to adequately read all the fine print and do it.  I just did this Wednesday. Still waiting. See #7.
  7. Nook’s “fine print”: there is a paragraph in there, 4.G. (not LTE…) that states “You are solely responsible for ensuring that your eBook complies with all applicable local laws in all such countries.” How this is any kind of possible, I can’t fathom, but it is a legal positioning for them to absolve them for anything in your book. A CYA clause. I don’t know that it would actually hold up in court, but, hey, it’s there, read it, consider it, be aware of it.
  8. Okay, when I was uploading my novel into Smashwords, I got confused about some of the selections. On the very first page, where you input all your titles, descriptions, cover, etc, there is the bank of selections for file conversions once you upload your properly formatted Word doc file. Select ALL these formats. These are not distribution, but are used for the various downloads you can select upon buying the book. There is a separate page later on down the line—that I had to search for (it wasn’t obvious)—where you opt out of certain distribution channels. It’s called the Smashwords Channel Manager. It is here you make your distro selections. I selected everything BUT Amazon and B&N. On some of the Smashwords pages, there’s a lot of text up front, and (once you’ve loaded your work), when you scroll down, you’ll find selections, so don’t just blow through the pages without scrolling down them. When I first entered Smashwords and was “playing around” in it, I found these same pages, but they also told me I hadn’t yet uploaded a book. After doing so, and went to these very same pages, I found I “suddenly” had selections! A whole new world opened up!
  9. Screw-up #2: I had friends like Terry Wright, offering me all kinds of cool tips and such, and one of these was about ISBNs. BTW, Screw-up #1 was going “live” early. Okay, not a big deal, but hey, it makes for good conversation. ISBNs. So, I did my due diligence, read and studied and got confused and read and studied some more. Thought I had a loose handle on things, enough to know that I wasn’t supposed to use the Smashwords-assigned ISBN anywhere else. So, I input my KDP info, chuggin’ along, and before I know it, I’d found I’d entered my danged Smashword ISBN into KDP! Argggggh! I cried! Yet everything was already submitted and pending approval at KDP. So, quickly not panicking, I search for their “Contact US/Customer Service” selection and told them what happened. This morning I found: a) my book was now available on KDP, and 2) I was told I could just go back in and re-edit—remove—that ISBN (which I did). It was a little unnerving, cause it makes it look like you’re going back to The Beginning, and sets your status back to “In Review,” but that is what seems to be the process. I went back in to check Amazon, and it’s still up for sale, so that must be how it goes.  Basically, I was told it wasn’t a problem, and I’ll elaborate more on ISBNs in a future post, cause, believe me, they deserve it.

So, that’s all for now. This is definitely like drinking from a raging fire hose, but you know what—it’s worth it! It’s much different than when I first published Sleepwalkers, in 2001, and I have to admit, I love the process! Love the control. Yeah, there’s not much time for sleep and relaxing and my wife is wondering when I’ll ever come out of my “cave” (at least in the learning stage), but it’s so much fun getting some work out there again, after so many years (12; but who’s counting). The Uninvited won’t be for everyone, but for some who’ve already read it (the ones who blurbed it), they liked it, so I know some peoples out there are bound to like it. And the support out there from other Indie authors is so…heartfelt. They know what people like me are going through, cause they’ve already been there. It’s not an ego thing—at least not with me. It’s a communicative thing. It’s how we’re wired. Some are wired to jump off cliffs in “bird suits” and fly through needle-like openings in stone, and others write. Other save people’s live as cops, paramedics, or firemen and women. It’s all how we’re wired.

So, thanks, again, for all your support. And thank you, Laura, my sweet and gracious wife, for putting up with me. I know, I’m a pain, I’m driven, me and my “cave” and all that,  but thank you for hanging in there.  Love you.

Related articles

Going Indie—What I've Learned (So Far)—Part 2

by

A still from a recent example of light writing
eBookin’: Movin’ at the Speed of Light! (Photo credit: example of light writing; Wikipedia)

I’d like to buy a vowel? Heck, I’d like to buy an hour, Chuck—maybe three?

The Uninvited is now available on Amazon, through the Kindle Select Program, for $3.99.

It’s still available at Smashwords for FREE, so get it while you can—and please, write up and post some reviews! The Uninvited has also gone into the Smashwords Premium Catalog, which gets distributed to major retailers, such as Apple, B&N, Sony, et cet. While I applied for a B&N Nook account, they apparently have to check/approve something, so that hasn’t yet gone through.

Okay, I meant to include much more in my previous post, but the Internet had gone down that day for a spell, and I’d lost my list of things I wanted to include in that post. I’d since found them, since found more things to list, so…I continue:

  1. Don’t have the Internet go out on you when trying to work.
  2. Don’t lose your notes for your blog post.
  3. Tax ID #. From all I’ve gathered, you don’t need one unless you’re creating a COMPANY entity, beyond just using your author name. Now, yes, you can just go and get one, using IRS form SS-4. I know of one person who did this, but you don’t need to, because your SSN is what’s used (and is on your tax form, if you claim your writing as a business). Yes…you can get paranoid about it…but what I’ve read, my experience…is that the IT (info technology) departments at these companies—for all their faults—do take security très seriously and, well, your information is out there in many forms, and the reality of today’s world is that it’s damned hard to keep all your personal info off the Internet. There’s so much out there we don’t really even realize…and the IT departments do their best at keeping it secure. Sigh. There are courses and books written about this stuff.
  4. Create Google Alerts (yeah, actually learned this years ago, but I re-learned it and actually, finally, created some). Go out and create some. Copy sections of text from your works, stick em in there, and if they come up anywhere, the alert with, uh, alert you, and you take it from there, if it’s legit, plagiarism, or a blog post/review. Rock on.
  5. Though Smashwords has lots of great stuff to offer, what I hear from many in the Indie world and am learning myself is to separately upload the epub file to B&N’s Nook (PubIt is going to be phased out over the coming months), and Amazon’s KDP, versus Smashwords. The big advantage is that Smashwords pays royalties quarterly, while the other two do so every 60 days, and they offer other things, like affiliate programs and such I’m still learning about and don’t know enough about posting about, right now. More on these later (I hope).
  6. If going to B&N’s Nook separately, and don’t yet have an account, create one now (read all the fine print), cause they”confirm” your account and get back to you. It isn’t immediate. My formatter, Pam, told me about this weeks ago, but I simply didn’t have the time to adequately read all the fine print and do it.  I just did this Wednesday. Still waiting. See #7.
  7. Nook’s “fine print”: there is a paragraph in there, 4.G. (not LTE…) that states “You are solely responsible for ensuring that your eBook complies with all applicable local laws in all such countries.” How this is any kind of possible, I can’t fathom, but it is a legal positioning for them to absolve them for anything in your book. A CYA clause. I don’t know that it would actually hold up in court, but, hey, it’s there, read it, consider it, be aware of it.
  8. Okay, when I was uploading my novel into Smashwords, I got confused about some of the selections. On the very first page, where you input all your titles, descriptions, cover, etc, there is the bank of selections for file conversions once you upload your properly formatted Word doc file. Select ALL these formats. These are not distribution, but are used for the various downloads you can select upon buying the book. There is a separate page later on down the line—that I had to search for (it wasn’t obvious)—where you opt out of certain distribution channels. It’s called the Smashwords Channel Manager. It is here you make your distro selections. I selected everything BUT Amazon and B&N. On some of the Smashwords pages, there’s a lot of text up front, and (once you’ve loaded your work), when you scroll down, you’ll find selections, so don’t just blow through the pages without scrolling down them. When I first entered Smashwords and was “playing around” in it, I found these same pages, but they also told me I hadn’t yet uploaded a book. After doing so, and went to these very same pages, I found I “suddenly” had selections! A whole new world opened up!
  9. Screw-up #2: I had friends like Terry Wright, offering me all kinds of cool tips and such, and one of these was about ISBNs. BTW, Screw-up #1 was going “live” early. Okay, not a big deal, but hey, it makes for good conversation. ISBNs. So, I did my due diligence, read and studied and got confused and read and studied some more. Thought I had a loose handle on things, enough to know that I wasn’t supposed to use the Smashwords-assigned ISBN anywhere else. So, I input my KDP info, chuggin’ along, and before I know it, I’d found I’d entered my danged Smashword ISBN into KDP! Argggggh! I cried! Yet everything was already submitted and pending approval at KDP. So, quickly not panicking, I search for their “Contact US/Customer Service” selection and told them what happened. This morning I found: a) my book was now available on KDP, and 2) I was told I could just go back in and re-edit—remove—that ISBN (which I did). It was a little unnerving, cause it makes it look like you’re going back to The Beginning, and sets your status back to “In Review,” but that is what seems to be the process. I went back in to check Amazon, and it’s still up for sale, so that must be how it goes.  Basically, I was told it wasn’t a problem, and I’ll elaborate more on ISBNs in a future post, cause, believe me, they deserve it.

So, that’s all for now. This is definitely like drinking from a raging fire hose, but you know what—it’s worth it! It’s much different than when I first published Sleepwalkers, in 2001, and I have to admit, I love the process! Love the control. Yeah, there’s not much time for sleep and relaxing and my wife is wondering when I’ll ever come out of my “cave” (at least in the learning stage), but it’s so much fun getting some work out there again, after so many years (12; but who’s counting). The Uninvited won’t be for everyone, but for some who’ve already read it (the ones who blurbed it), they liked it, so I know some peoples out there are bound to like it. And the support out there from other Indie authors is so…heartfelt. They know what people like me are going through, cause they’ve already been there. It’s not an ego thing—at least not with me. It’s a communicative thing. It’s how we’re wired. Some are wired to jump off cliffs in “bird suits” and fly through needle-like openings in stone, and others write. Other save people’s live as cops, paramedics, or firemen and women. It’s all how we’re wired.

So, thanks, again, for all your support. And thank you, Laura, my sweet and gracious wife, for putting up with me. I know, I’m a pain, I’m driven, me and my “cave” and all that,  but thank you for hanging in there.  Love you.

Related articles